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Pinyin over Characters: The Crippling Crutch

July 12, 2018

A guest column by Jared Turner, The Mandarin Companion


You turn the page. A picture is off to the side as you stare at rows of pinyin. But that’s not all… there is something below the pinyin. You squint your eyes and there it is: a row of Chinese characters. At first glance, you know a lot of these. In fact, at the beginning, you don’t see a single character you don’t know. But you’re not so certain because you’re distracted; it’s that pinyin! It’s got a tractor beam lock on your eyeballs and just like the Millennium Falcon, you can’t get away. Sweat starts to bead on your forehead as you exert every ounce of will to try and focus on the characters, but you are already within the gravitational pull of the pinyin as it crushes every ounce of desire to read characters.


This, albeit dramatized, scenario is what our children commonly experience when given passages, articles, or books to read in Chinese. It’s so common to see pinyin over all of the characters that we rarely take pause to think about why it is this way and how this became the norm.

Why Books Have Pinyin Over Characters

When Chinese children begin learning characters in school, they already speak Chinese. In the 1stgrade, Chinese characters are introduced to students as characters that represent words they already know and can speak. At the same time, “radicals” or 部首 (bù shǒu), are introduced and meanings of the individual components of a character are explained. New characters are introduced daily, along with short reading texts or 课文(kèwén). At this early stage, characters are learned via rote memorization and pinyin is not even introduced to the children. Some children are still learning their ABC’s (for pinyin as well as for English).

Daily homework includes practice writing of characters taught that day, often with additional characters assigned by the teacher. Termed as 默写(mòxiě) or “writing from memory,” rows of practice characters will be written into small notebooks used specially for writing characters. The next day in class, students are usually quizzed on the characters practiced the night before in 听写 (tīngxiě) where the teacher reads the characters and the students write each one in a booklet.


Show these to your Chinese friends to bring about traumatic childhood memories.

The first semester of 1stgrade focuses on learning these building blocks of Chinese characters. They will finish the first semester with having been taught about 250 characters. Towards the end of the first semester, students begin to learn pinyin. By the second semester of the first year, the kids learn more pinyin, and when one of the reading texts for a chapter uses a character that has not been taught, pinyin is put over that character to help the reader. At the beginning, maybe 2-3 characters in the entire text will have pinyin over them.


Students already know how to say these words in Chinese and now they are learning the characters



Notice the absence of pinyin

By the end of the first year, the children have been taught over 600 characters and have a solid foundation in pinyin. They learned to read characters first and pinyin second.

When 2ndgrade begins, all of the reading texts have pinyin above the characters. This is a great help because at this point characters are introduced more rapidly and it is easy to forget a character that was taught some time ago. It is provided as a reference to the readers in case they don’t remember how to pronounce the characters.


Please enjoy 《太阳的话》(Tàiyáng de Huà) from a 2nd grade text book. Click for a larger image.

Following this process, pinyin over the characters works very well because the students have learned how to read and build a solid foundation in characters before they even began to understand pinyin or English. Characters are much more natural to read than pinyin, and they don’t carry the same rich meaning that characters do, and therefore it’s easy to ignore pinyin when it’s over a sentence.

This learning process works very well for native Chinese speakers and it is highly effective. I have experienced this firsthand, as two of my children attended a local Chinese elementary school in Shanghai.

The English Experience

For those of us for whom our native tongue uses the alphabet, by the time we are in 1stgrade, we’ve mastered our ABC’s, been introduced to phonics, and have begun to read simple words and sentences. Words that use the alphabet are simple and natural to us. I sometimes joke that Chinese characters look like spooky animals to a new learner, but it’s not too far from the truth. If you don’t know the character, you just don’t know it. You cannot phonetically sound it out, but you can do that with English words if you know the phonics.

The Crippling Crutch

This is the learner’s conflict commonly found in Chinese textbooks and reading materials: pinyin written above the characters. The alphabet-loving-eyes are naturally pulled away from the characters towards the pinyin. After all, it’s an order of magnitude easier to read than characters, even if we knowthe characters! Even if the reader covers up the pinyin, he inevitably uncovers it to “check” or confirm what he read is correct.


If you were able to not look at the pinyin then, congratulations! You either 1) are a native Chinese reader or 2) had to exert significant focus.

So what’s the big deal? The problem is that this creates an over-reliance on pinyin and actually slows down the learner’s path to building speed of character recognition, reading speed, and fluency. This is how it works.

  • A key component of reading fluency is reading speed
  • Reading speed builds as the reader becomes more familiar with the characters
  • The more encounters the reader has with a character, the more she will build the speed of recognition of that character.
  • Pinyin over the characters distracts the reader from the characters.
  • Pinyin over the characters creates over-reliance on the pinyin.
  • Because the reader spends time reading both the pinyin and the characters, the overall reading pace slows down.
  • Because the reading speed is slower…
    • The reader reads fewer characters
    • The reader still has time to translate inside her head
    • Progress towards fluency slows down

It is also for these same reasons that I am not a big fan of the “click your way to fluency” concept which many apps and software enable by clicking or hovering over a character for an instant pinyin and translation. They have their place and use for sure, but utilizing these aids to “read” a text does little for your progress towards fluency (mainly because you are understanding the text in English as opposed to understanding it in Chinese).

This also goes for all those books with Chinese on one side of the page and English on the other. Guess which page the kids read? I guarantee you it’s not the Chinese one. Don’t even waste your money on them.

Some may be saying, “but without the pinyin, I can’t read this Chinese text at all!If you need pinyin over the text to read it, then you’re not reading at the right level, and you’re not learning the words you’re reading. Put it away and find something easier (if you can) and I’ll kindly redirect you back to a previous blog article about reading at the right level.

For all of you publishers and teachers out there, please do not put pinyin over text that is intended for CSL (Chinese Second Language) students. If you have to use it, only put it over the characters that the reader is not intended to know. We know this takes work and is harder to do, but this is what it takes to put the learner first! And for pete’s sake, don’t tell us just not to look at it. It’s about as effective as this button.


Pinyin is a crutch and sometimes we need a crutch to lean on. Without it our learning-lives would be much more difficult. My hope is that we not create an over-reliance on pinyin and help learners walk on their quest to fluency.

The Mandarin Companion is a publishing house based in Shanghai that features easy-to-read novels in Chinese for those learning Chinese. They focus on rewriting great literature, such as Emma, The Prince and the Pauper or Journey to the Center of the Earth. The books are fun and readable for most immersion kids by the time they get to late middle school. 

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